A dedicated customs officer and his team take on a notorious smuggler leading a powerful syndicate, but unexpected obstacles threaten their mission.

A 14-year-old boy named Parth, who meets Jugnu, a mystical kid from the haunted forest of Bheem Mukteshwar.

After the Sino-India war, a highly trained Indian spy enters Pakistan on a mission to gather crucial intelligence and stop Pakistan from launching an attack against India. Will he succeed?

Driving home late one night, two brothers, Jaggi and Daljeet run over an old man. They put the body back in his house, but when people suspect, the brothers' lives fall apart. They realise they can trust no one. Not even each other.

Matsya Kaand is almost a Stylistic throwback to a noir theme. An honorable thief taking revenge with aptitude, intelligence and charm rather than brawn. Although revenge is the central theme of the hero's journey it is never mean, it's never gratuitous, nobody is killed, The revenge is sparkling. Diametrically opposite are the antagonists who are equally cerebral but don’t hesitate to extreme violence. Their actions are brutal and sordid. Matsya Kaand is the collision of these two worlds. Matsya Kaand can almost be called the adventures of Matsya and his merry band, A revenge garbed in the foil of a heist/con thriller a la the oceans series.

Sweetie's father wants her daughter to get married to an NRI from England.

This is a dramatic chain of events in the most glamorous ,swinging era of Hindi films... the 1960s. It was a decade when film stars tasted success and carried their larger than life screen image on to real life with unbridled pomp and splendour. It was during this time that two ambitious films were made... Ujwal Nirmal Sheetal and Reena Mera Naam. The latter became a runaway hit while the former was struggling at the box office.